便利店

A supermarket in a Moscow suburb is the heart of darkness for the Uzbek “employees” who work there around the clock and are threatened, abused and imprisoned. Mukhabbat escapes and reveals the vicious circle of modern slavery. A truly surreal real-life trip.

勇敢的心

20世纪30年代初，古老的华夏大地正面临着生死存亡的危机时刻。热河一带颇有名气的霍家少爷霍啸林一向浪荡不羁，他和保安司令赵金虎的儿子赵舒城是好朋友，并喜欢唱黄梅戏的女孩阿梅。谁知落花有意，流水无情，他和赵金虎争夺阿梅，饱读诗书的舒城则越来越不满父亲滥杀无辜的军阀行径。两家的矛盾最终爆发，霍家惨遭灭门，背负仇恨和伤痛的啸林侥幸逃脱，遁入江湖，他发誓一定要为家人报仇。学成一身武艺的啸林沦落黑道，成为名震汉口的一霸。与此同时，日本帝国主义露出险恶贪婪的面孔，无情爪牙撕破华夏大地的肌肤，血流满地。走过一大段弯路的啸林意识到人生所犯的错误，在命运的指引下，他将用血肉铸就一段爱国传奇……

婚前特急

24岁的池下千惠（吉高由里子 饰）是一个美丽开朗、聪颖干练的职场女性，不过对于爱情她似乎看得过于乐观，即使同时结交5名男性也不以为意。不过随着闺蜜敏子（杏 饰）步入婚礼殿堂，千惠也开始认真考虑结婚的对象。在她的面前，分别是离异的食品公司课长西尾稔（加瀬亮 饰）、经营摩托车修理行的出口道雄（青木崇高 饰）、已婚的美容店老板三宅正良（榎木孝明 饰）、未满20岁的大学生野村正二（吉村卓也 饰）以及长相平平的面包厂工人田无拓海（浜野謙太 饰）。 　　经过一番考量，千惠决定从最没用的田无甩起，但是这个决定也让她陷入前所未有的混乱之中……

神秘来客

　　故事描述了一位农村女孩田甜去城里看病，检查结果出来发现自己得了绝症，在一个晚上田甜走在城市街头，刚巧目睹了一起车祸，田甜把被撞伤的老人送进医院，而且用自己看病的钱为老人交了治疗押金，田甜便返回了农村老家。老人醒来后发现送自己来医院的人原来是一位患了绝症的女孩，老人和儿子从此开启了寻找恩人女孩的旅程。当今社会诚信意识受到前所未有的冲击和挑战，诚信是企业和个人的立足发展之本，影片以幽默诙谐的故事形式打造具有社会诚信教育意义的主旨思想。

2月3日 22-23赛季NBA常规赛 鹈鹕VS独行侠

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

10月15日 23-24赛季欧洲杯预选赛 保加利亚VS立陶宛

爱人

宣彤作品

女囚蝎子杀戮天使

女主角被贪污刑警爱人陷害后，想杀死贪污刑警未遂入狱。在牢中，女主角曾尝试越狱，但失手被抓，连累狱中同囚被狱警无理欺压。贪污刑警雇用监狱中女囚，企图暗中杀人灭口，但未能得手。其后，囚犯因不能忍受狱警的无理虐待，触发暴动。女主角成功趁乱逃狱后，化身黑衣复仇天使，亲手手刃仇人及相关人员。

天邪鬼前外科医生杀手最后的战斗

折壁嵩男曾经是个优秀的外科医生，现在和律师横仓义实一起从事杀手工作，专门替人除掉那些法律制裁不了的罪人。这次折壁替厨师宗村将史杀了美食评论家三波正昭以报其杀女之仇，然而，三波的舌头事后被人拔走。就在这期间，社会上接连出现优秀人才的尸体的心脏、大脑等器官被挖走的奇怪事件...

花开半夏

俊朗英俊、风流倜傥魏如风（林申 饰）拥有一段曲折而悲惨的童年，童年时他曾亲眼目睹涉嫌贩毒的父亲郑同（房子斌 饰）被刑警叶向荣（尤勇 饰）击毙的场面。悲伤的少年被人贩子拐卖，遇见了当初有过一面之缘的同龄女孩夏如画（李沁 饰）及其外婆（归亚蕾 饰）。他们以兄妹相称，经历了风风雨雨，在外婆去世后更相依为命。如风通过同学程秀秀知道了他的父亲程豪（苗侨伟 饰），而这个拥有显赫地位的男子恰恰和如风和如画两姐妹有着乱麻一般的渊源。这些人彼此缠绕，不可挣脱，甚至连如风父亲当年的丧身疑案也被卷入其中，这背后究竟隐藏着什么样的故事？ 　　本片根据九夜茴的同名小说改编。

瑞典女郎战纽约

每个梦想都有标价，你愿意拿什么去换？\r白天是电话接线生，夜晚在俱乐部驻唱，莫妮卡凭藉独特嗓音，从籍籍无名的小歌手，一步步打入纽约高级夜总会，在爵士乐盛行的黄金六零年代，成为最炙手可热的女星！\r伴随成名而来的纵情喧闹和彻夜狂欢，让她逐渐迷失自我。面对父母的不谅解和爱人接连离去，空虚失落的莫妮卡，只有手中的酒杯伴她迎接清晨。追求梦想是否必定付出沈痛代价…？\rAbout细细品味紫罗兰的芬芳，从平凡发迹的瑰丽人生\r《莫妮卡·赛德隆》以爵士乐的黄金六零年代为经，经典歌曲为纬，将莫妮卡充满戏剧色彩的成名之路浓缩成1-2年的时光，透过重点事件的聚焦催化，细腻刻划夹在梦想与家庭的两难，对爱情的焦虑渴望。北欧才女歌手艾达麦格娜松(EddaMagnason)跨界电影，温暖又充满北欧式冷冽的魅力嗓音，重现绝代风华。\r莫妮卡柴德兰(MonicaZetterlund)1937年出生于瑞典，不谙英语的她透过聆听收音机和唱片自学，捕捉爵士的旋律、节奏和乐感，逐步稳扎歌唱实力，对她影响最深的歌手有爵士天后比莉哈乐黛(BillieHoliday)和艾拉费兹洁拉(EllaFitzgerald)。\r因为一句“你为什么要唱别人的歌，而不唱出自己的生活？”她开始以瑞典语重新翻唱经典爵士歌曲，没想到从此一炮而红，不过在光鲜亮丽的舞台生活下，莫妮卡其实一直深受严重的脊椎侧弯所苦。60岁时，她在一场流行摇滚音乐祭登台演出，以她独有的爵士魅力，掳获台下一票年轻摇滚听众的心，两年后宣布退休。莫妮卡在轮椅上度过人生最后几年时光，2005年5月因烟蒂引发的火灾，死于斯德哥尔摩的公寓。