野蛮的温柔

三个都市女性找寻爱情、发现自己的故事。 　　时尚杂志资深策展人叶玛莉（叶童）大气、干练，虽对公司老总（吕良伟）心存爱恋，却拒绝承认自己的感情，只将他默默帮助、仰慕，换得独自惆怅。作为她的好姐妹，周燕燕与金菲亦为爱情伤神：前者是一心嫁人的时尚画廊总监，与同居男友表面虽恩恩爱爱羡煞旁人，却得不到他的婚姻承诺；后者立誓不成大明星不谈婚论嫁，提前到来的爱情只令她无所适从。爱情这门学科，她们似乎都还没读懂。

鬼同你OT国语

孙淑梅（田蕊妮饰）最近厄运连连，不仅丢了工作，更间接导致了曾经的上司姜蓉（胡定欣饰）的死亡。让孙淑梅没有想到的是，姜蓉的魂魄竟然入驻了自己的山寨手机中，成为了和自己形影相伴的同伴。孙淑梅重新回到了公司里，在姜蓉的指点之下，她一路披荆斩棘，连连创下佳绩，在此过程中，一人一鬼竟然也结下了深厚的友谊，与此同时，两人亦发现了公司之中暗藏的阴谋，在黑客艾铁文（蒋志光饰）的帮助下，孙淑梅将诡计成功破解。建筑师米开朗（陈豪饰）发觉了孙淑梅的异样，她身上那股若隐若现的气息使得米开朗渐渐坠入情网，这令先前暗恋米开朗的姜蓉十分恼火。

博多之子

当山姆在一个偏远的湖里被谋杀时，他的意识开始穿过他的朋友的尸体，试图保护他们免受凶手的害。这条黑暗的段落引导他踏上了更伟大的旅程——发现自己的真实身份。

东京食尸鬼：PINTO

《东京食尸鬼PINTO》改编自《东京食尸鬼》的外传小说，讲述了高中时代的月山习和女同学掘千绘的故事。

故乡面·参花情

离家创业的姐姐翁坤回到家乡长白 山，她准备改变参乡以个体培育“园参”为主要经营方式的无序人参种植业，推广可大幅提高经济效益的“林下参”种植。翁坤果决的商业手段激发了村民的不解，而天性淳朴的翁俪认为姐姐是为追求金钱而弃亲情、乡情于不顾，姐妹之间反目成仇。翁坤的前男友周克是当地最大的参商，他对翁坤旧情未灭，利用天真的翁俪，勾结外商崔老板大量囤积参源，希望迫使翁坤臣服......

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

11月18日 23-24赛季NBA常规赛 尼克斯VS奇才

睡美人

奥罗拉公主的出生让国王和皇后乐坏了。宴会上他们邀请来十二位仙女，为公主献上祝词。一个没有机会前来宴会的坏心肠仙女，一气之下落下诅咒：她今天受的屈辱都会报应在公主身上，公主会在18岁那年死于纺锤之下。 　　在这个魔咒的笼罩下，国王和仙女都小心翼翼的保护着奥罗拉公主。国王甚至把全国的纺织器具统统没收，以防止公主遇上不测。然而，悲剧还是发生了。奥罗拉在一个古堡里看到了正在纺布的老奶奶，一伸手就被纺锤的魔法击中，美丽的公主顿时沉睡，整个王国都随之陷入沉睡，国王，侍从，甚至猫狗，都落入了巫婆的咀咒。 　　邻国的王子闻说睡美人的故事，决定披荆斩棘前来古堡搭救公主，他的武器除了勇气和毅力之外，还有对奥罗拉公主的真爱。

喔我的僵尸

一级指控

CK律所在城中是一家声名卓著的律师事务所，合伙人之一雷有辉（方中信饰演）更有法律界“常胜将军”的声誉，却在十年前的成富商场倒塌案中令一众商户败诉。城中首富郭世荣（廖启智饰演）的女儿郭嘉仪在工作室中离奇暴毙，当年商户珠妈（鲍起静饰演）的孙儿李逸峰因在现场而作为嫌疑人被捕，并被控以一级谋杀罪名！珠妈面对孙儿被控谋杀手足无措， 只能求助法律援助。雷有辉律所的合伙人张美仪接受了珠妈这宗法援，派出律所新人何学铭（陈嘉乐饰演）负责。为了补偿十年前的官司败诉的愧疚，雷有辉也决心协助何学铭为李逸峰沉冤昭雪。在调查的过程中，雷有辉抽丝剥茧，发现案件另有隐情，却遭遇证人反口、证剧被毁、同僚遇害……如何将真凶绳之以法，雷有辉唯有在最后的庭审中绝地反击！

歪星撞地球第三季

A group of aliens has come to Earth to learn about its population, customs, etc. To avoid detection, they have taken on human form which gives them human emotions, physical needs etc. WITHOUT the understanding of what they mean or the inhibitions normally present in humans. Their leader takes the position of a college professor, their military expert as his sister, their intell...

茶缘

清朝统治下，清廷对苗族的歧视和压迫尤为严重，军事镇压也甚是严重。经济上，在苗区安设屯田，强夺农民土地;政治上，实行改土归流，设置流官;军事上，建立营汛屯堡。苗人不服，抗暴。清统治历史上发生过三次起义。永绥厅夯岩右营把总赵志龙在苗区爱上了一个苗族姑娘茶花，而他又负责镇压起义的苗人，在这战火纷飞的年代，他的这份爱又该如何表达，他对皇上的军令又该如何执行?